USNEA: Portland Doom Unit Shares Music Video For "Pyrrhic Victory"
Portland doom unit USNEA today shares the official music video for "Pyrrhic Victory," which comes by way of their upcoming Portals Into Futility full-length.
Watch the Frank Huang (Maximum Volume Silence) - directed clip here.
Writes Invisible Oranges of the work, "The video for USNEA's new song 'Pyrrhic Victory' asks a question that it knows that it cannot answer: what good is societal progress if it doesn't solve the fundamental problem of human cruelty? If we are living at the end of history - to borrow a phrase from Francis Fukuyama - what do we have to show for it? The prospect of nuclear war and looming environmental collapse? Radical. Nice job, humanity.
Using found footage, USNEA places the image of a woman being hung next to a series of studies of the human brain. While 'Pyrrhic Victory' isn't a narrative, the implication is that no matter how much we advance, we have yet to find a way to prevent human beings from inflicting pain on one another. Viciousness (and the suffering it causes) is so pervasive that any progress must be seen as a pyrrhic victory against the devils of our nature. This is heavy shit, even for a band as sonically dense as USNEA..."
If you missed it, hear USNEA's previously released song "Lathe In Heaven" here.
Inspired by dystopian science-fiction and the painful intersection of today's crushing reality, Portals Into Futility offers five songs and fifty-six minutes of expertly crafted and elegantly depressive doom/sludge. With an evolved sound of strength and dynamism, USNEA delves more into the worlds of dissonant death metal, varied vocal structures, and cinematic composition, all while maintaining the monumental heaviness, brutality, discord, anger, and mournful melodicism of their previous work. Across dark and brooding peaks and valleys, USNEA reminds us that no matter how many doors are opened to the human species, our self-aggrandizement and hubris all lead to futility.
Portals Into Futility is due out September 8th on CD, 2xLP, and digital formats via Relapse Records. Physical pre orders and exclusive bundles are currently available via Relapse,com at THIS LOCATION and digital pre orders are available via Bandcamp HERE.
USNEA will tour throughout Europe dates this fall as direct support for Ufomammut. The tour commences on September 30th in Paris, France and concludes October 22nd in Munich, Germany. The tour includes appearances at multiple festivals including Up In Smoke, Soulcrusher Festival, and Keep It Doom. The band will also perform an exclusive US set at Psycho Las Vegas on August 18th. A complete listing of dates is available below.
8/18/2017 Hard Rock Hotel @ Psycho Las Vegas - Las Vegas, NV
9/30/2017 La Boule Noire - Paris, FR
10/01/2017 Le Ferrailleur - Nantes, FR
10/03/2017 Borderline - London, UK
10/04/2017 Magasin 4 - Brussels, BE
10/05/2017 Schlachthof - Wiesbaden, DE
10/06/2017 Up In Smoke Festival - Pratteln, CH
10/07/2017 Doornroosje @ Soulcrusher Festival - Nijmegen, NL
10/08/2017 Forum - Bielefeld, DE
10/10/2017 Blitz - Oslo, NO
10/11/2017 Klub Undergangen - Stockholm, SE
10/13/2017 Korjaamo @ Blowup Vol. 3 Festival - Helsinki, FI
10/14/2017 Olympia-Kortelli - Tampere, FI
10/16/2017 KB 18 - Copenhagen, DK
10/17/2017 Lido - Berlin, DE
10/18/2017 Markthalle - Hamburg, DE
10/19/2017 Werk 2 - Leipzig, DE
10/20/2017 Firley - Wroclaw, PL
10/21/2017 007 - Prague, CZ
10/22/2017 Keep It Doom Festival - Munich, DE
USNEA was spawned in late 2011 from the cerebral minds of guitarist/vocalist Justin Cory, guitarist Johnny Lovingood, drummer Zeke Rogers, and bassist/vocalist Joel Williams. The quartet has proven to be a seismic level force of destructive creativity with a massive yet meditative sound, masterfully crafted songwriting, and a clear yet non-derivative influence from doom legends such as Disembowelment, My Dying Bride, Neurosis, and YOB.
USNEA released their self-titled debut album in February 2013 on Rogers' own label Orca Wolf Records. Following a 7" EP split with Ruins, USNEA signed to Relapse Records and released Random Cosmic Violence in November 2014. Random Cosmic Violence's immense presence instantly elevated USNEA to the forefront of the blossoming American doom scene. Stereogum referred to Random Cosmic Violence as having a "Floydian vastness that both balances and amplifies the overwhelming, crushing heaviness. Like the night sky itself, it's full of terror and awe and ice and fire. It is a massive, monumental thing." USNEA spent the next couple years touring in support of the record alongside veteran acts such as Ufomammut and Inverloch plus appearances at notable festivals including Maryland Deathfest, Roadburn Festival, and Modified Ghost Festival. Now in 2017, USNEA returns with their third full-length album, Portals Into Futility. An array of sci-fi novels that are becoming more and more of a reality in these volatile times informed the band's writing throughout the album, including Shadow Of The Torturer by Gene Wolfe, Lathe Of Heaven by Ursula K. Le Guin, Valis by Philip K. Dick, Valis by Philip K Dick, Demon Haunted World by Carl Sagan, and Dune by Frank Herbert. Portals Into Futility was recorded with Fester and assistant Andrew Grosse at Caravan Recordings and Haywire Studios in Portland, Oregon and mastered by Adam Gonsalvez at Telegraph Audio.